Join us for a dive into Robert Bresson’s ‘Diary of a Country Priest’ where we’ll explore the methods of intensification and cinematic rigour through certain well-tempered choices employed by Bresson in terms of figuration, gesture, double articulation, look, silence… while examining the specificities of the film, we’ll immerse in larger Bressonian worldview of ‘implosive martyrdom’, ‘spiritual anarchy’, and the possibility of ‘grace’ in an otherwise banal, selfish, materialistic and hierarchical world.
Film-Philosophy with ‘Diary of a Country Priest’ by Robert Bresson
@everyone please share!
